This release presents excerpts from the soundtrack of the film A Degree of
Murder which was composed by Brian Jones with the help of Jimmy Page and Keith
Richards. This is the first time they come out in vinyl format, but not as
underground release, the most significant ones being a DVD-R of the same name
released on the film 40th anniversary in 2017 by IMP that also was
accompanied by a cdr for the first 250 copies and a factory pressed reissued DVD
from the same label coupled with Germany 73, allegedly the label got busted
thereafter; from that review:
Idol Mind Production found a good colour copy of ‘A Degree Of Murder’, the
famous film starring Anita Pallenberg whose soundtrack was assembled by the
late Brian Jones, with Japanese subtitles, and offered this version on DVD
adding to the first 250 copies a bonus cd-r that features music excerpts. Work
on the film score started September 5th 1966 at London IBC Studios
by Brian Jones who assembled a small combo to help him cut tracks, Nicky
Hopkins (piano) and Jimmy Page (guitar) together with Peter Gosling (keyboards
and background vocals) and Mike Leander (orchestra conductor) are for sure
featured while it is dubious if other players took part to those sessions as
Brian Jones said once that ‘some of the boys helped’ but Bill Wyman said he
wasn’t there; we may think that Charlie Watts could have helped, but Kenny
Jones too. Producer and engineer Glyn Johns was on board, even if his personal
relationship with B.Jones wasn’t very good. Obviously, Jones is said to have
played many instruments (sitar, organ, dulcimer, recorder, clarinet,
harpsichord, harmonica, banjo, autoharp) while there is also a rumour that Mick
Jagger helped in the production, let alone Keith Richards.
Recording went on whenever possible through February 1967 (on the 11th
B. Jones was at London’s Olympic Studios) while the film itself was premiered
in Germany on April 19th 1967 in Munich with the German title Mord und
Totschlag, directed by Volker Schlöndorff. The story of the film is the story
of a girl (A.Pallenberg) who accidentally kills her boyfriend with his gun and
then hires two men to hide his corpse. On April 24th 1967 at the Cannes
Film Festival A.Pallenberg and both B.Jones and K.Richards were present
although after a brief discussion with Anita, Jones abandoned the Festival
earlier. At that time Anita had already switched from Jones to Richards as
boyfriend and that probably contributed to Jones personal drama and downfall.
The Soundtrack on the accompanying cdr has music that resembles at times
some Stones 60s songs like Sitting On A Fence or Ruby Tuesday while the overall
music feel brings to mind the albums from the Andrew Oldham Orchestra, except
for some blues instrumentals. That was the problem with Brian Jones at that
stage of his career, as he wasn’t able to make original music, while very good
in dressing songs with his multi-instrumental playing skills. No Soundtrack
album was ever released by Universal and this makes this film somehow legendary
as it shows the only music self- made by Brian Jones to have been recorded,
apart from the Moroccan ethic stuff that came out on the Joujouka album. Later
a European version appeared and from that review:
This new European DVD of Brian
Jones film A Degree Of Murder presents the film from a British copy; no
Japanese subtitles here though and a good colour version of the film with nice
soundtrack (the most important thing to Stones fans) with good high volume
audio. As written on the front cover this is Brian s Only Recorded Legacy. This
is a better version of the film than IMP release, still in mono though. It must
be said that recently the film was officially released on blu ray in Germany at
the end of 2021 with an anamorphic widescreen and Dolby 2.0, hence most likely that’s
where this audio comes from. According to this ep liner notes (by a William
Perks…) the film was broadcasted by ZDF in 1969, then are reported some words
said by Jimmy Page in 2012: Brian knew what he was doing, it was quite beautiful,
some music was just created at the time, I was playing the guitar with a violin
bow and Brian had a guitar that had a volume pedal as well as a mellotron, his
soundtrack was incensed by film director Volker Schlöndorff according to his
statement on the official press release in 1967. It seems the original tapes
have disappeared so the music soundtrack comes from the film reels used for the
blu ray release, that on this ep is claimed to be in True High Fidelity stereo.
Of course, the 50 years threshold could be taken as the triggering factor for
this release, but the fact that an official DVD has come out should invalidate
that. The soundtrack music is indeed in stereo, although a narrow one, something
that that can be ascertained clearly for instance at the end of Side A or at
the beginning of Side B, due to the Dolby 2.0 encoding used for the blu ray.