MAYALL, JOHN (BLUESBREAKERS) - CD
SPRINGTIME 1982 VOL.16

LABEL:
StonyRoad
SOURCE:
North Stage Theatre, Glen Cove 20 June 1982.
FORMAT:
2 downlioad cdrs
RUNNING TIME:
73.52/74.02
SOUND/SOURCE:
Disc One: Audience mono, Disc Two: Tracks 1-6: Soundboard mono and Tracks 7-12: Soundboard mono and Audience mono merge
PACKAGING:
Double Slimline Jewel case
 


***image2***


SOUND 8 / PACKAGING 9 / PERFORMANCE 10

 
TRACK LIST:

Disc One: 1. Band Intro, 2. An Eye For An Eye, 3. Rock It In The Pocket, 4. Oh Pretty Woman, 5. My Time After Awhile, 6. You Never Can Be Trusted, 7. Howlin’ Moon, 8. The Stumble, 9. Room To Move, 10. Room To Move (reprise), 11. Encore Break With Band Intro, 12. Short RnR Improvisation, 13. Ridin’ On The Santa Fe, 14. Outro.

Disc Two: 1. Band Intro, 2. An Eye For An Eye, 3. Rock It In The Pocket, 4. Oh Pretty Woman, 5. My Time After Awhile, 6. You Never Can Be Trusted, 7. Band Intro, 8. An Eye For An Eye, 9. Rock It In The Pocket, 10. Oh Pretty Woman, 11. My Time After Awhile, 12. You Never Can Be Trusted.

 
REVIEW:

This tour ended in the New York area at Glen Cove, for this show there were two incomplete recordings available:

Source #1: contains the 5 first tracks from the show, is lossless and usually called soundboard version.

Source #2: contains the 5 first tracks (but My Time After Awhile is incomplete) and the 4 last tracks. It’s an excellent audience recording but lossy and was running in the wrong speed. Note that probably around 3 songs are still missing from the set.

The second source is very good, but since the recording was incomplete it had been possible to offer both versions. So, on the first disc is the more complete audience version and on the second disc there are the soundboard version and a merged version from both sources (both were mono but this way it sounds like a stereo recording)… of course My Time after Awhile is incomplete because of the truncated track in the audience source.

A comparison with the Passaic-recording showed that the audience source had to be decelerated by -3,5 to -4,5%. Both versions were de-clicked, both channels rebalanced (+5 to 10% for the left channel) and the transitions between tracks reworked.

On the first version the left channel on An Eye For An Eye was altered from 0’57 seconds onwards: it has been corrected by duplicating the right channel. On the soundboard source some micro-gaps between the tracks were deleted. Here we have a wonderful show to close this great series.


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MAYALL, JOHN (BLUESBREAKERS)

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Mar 25, 2024 - 12:03:13 PM

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