FACES - CD
THE LAST US TOUR VOL.1

LABEL:
StonyRoad
SOURCE:
Stadium, Cleveland 23 August 1975.
FORMAT:
2 downlioad cdrs
RUNNING TIME:
40.40/40.31
SOUND/SOURCE:
Audience stereo
PACKAGING:
Double Slimline Jewel case
 


***image2***


SOUND 7 / PACKAGING 8 / PERFORMANCE 9

 
TRACK LIST:

Disc One: 1. Intro The Stripper, 2. Memphis, Tennessee, 3. It’s All Over Now, 4. Three Time Loser, 5. Miss Judy’s Farm, 6. I’d Rather Go Blind, 7. Sweet Little Rock 'n' Roller, 8. I’m Losing You.

Disc Two: 1. Take A Look At The Guy, 2. Bring It On Home To Me-You Send Me, 3. Angel, 4. You Wear It Well-Maggie May 5. Big Bayou, 6. Stay With Me, 7. Twistin’ The Night Away + reprise.


REVIEW:

This new series focus on the Faces last tour; a fter Ronnie Lane left them in mid-1973 also Ronnie Wood slowly started to drift away from his beloved band by releasing two solo albums, appearing as a guest musician on a Rolling Stones album (uncredited on It's Only Rock'n Roll), doing sessions for their next one (Black And Blue) and most notably joining the Stones in spring 1975 for their big US tour which went until August 8, 1975. Just a few days later Ronnie was already rehearsing with the Faces again for what became their last US tour and their last regular tour ever. This last tour also had a first: Jesse Ed Davis (ex-Taj Mahal and renowned session guitarist) joined the band as a second guitar player, officially because Rod wanted to recreate his Atlantic Crossing sound…

The line-up consisted of: Ron Wood on guitar and backing vocals, Rod Stewart on vocals, Ian McLagan on keyboards and backing vocals, Tetsu Yamauchi on bass, Kenney Jones on drums, Jesse Ed Davis on guitar. There were also some additional musicians: a 12-piece string section specially hired in each city of the tour (for the two songs Angel and Bring It On Home To Me-You Send Me) under conduction of Jimmy Horowitz.

Here both channels have been rebalanced (+10 to +20% to the right channel). On Take A Look At The Guy a 10 second repetition at 4’27 and a gap at 4’50 have been deleted.

On Bring It On Home To Me/You Send Me the channel disbalance has been compensated in the 37 first seconds and a gap deleted at 2’00. The sound output is good and clear enough.


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FACES

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